項目地址: 江陰

開工時間: 2020年7月

項目收尾: 2020年9月

設計團隊: GHB INTERIOR DESIGN

團隊主創(chuàng): 郭恒博 陳凌燕

項目面積: 97㎡

攝影師: 徐義穩(wěn)

建筑是研究如何浪費空間的藝術。

「Architecture is the art of how to waste space」

—Philip Johnson

開端 Beginning

一切的開始，源自一場關于「浪費」的思考。

The beginning of all, from a thinking about "waste".

▲ 平面圖

傳統(tǒng)建材賣場的空間，97㎡的使用面積，遠離賣場主動線的劣勢鋪位，展廳裝修設計我們需要置入多種漆面的展示，洽談區(qū)，私密化的辦公與倉儲功能。

This is a traditional materials store space with 97 square meters of usable area, which is far from the active line of the store. We need to put in a variety of lacquered display areas, negotiation areas, private office and storage areas.

在有限的空間內，我們沒有對場域進行激進式的索取，而是選擇了「退讓」，這種「退讓」看似是一種「浪費」，展廳裝修設計卻創(chuàng)造出更多的對話可能性，在趨同化的賣場里形成辨識感，從而達到商業(yè)引流的目的。

In the limited space, instead of making radical demands on the field, we chose to "give in". This "give in" seems to be a "waste", but it creates more dialogue possibilities and forms a sense of identification in the store, so as to achieve the purpose of commercial drainage.

觀察 Observing

“當人們嘗試去創(chuàng)作，最重要的部分應該開始于全神貫注的觀察與凝視。創(chuàng)造力并不來自于對知識的掌握，展廳裝修設計而是不知從何處撿來的概念所發(fā)展出來的。不過是一場小小的游戲而已?！薄奖疽?

設計試圖弱化“墻”作為劃分空間的功能出現(xiàn)，以一種盡可能開放流動的姿態(tài)去承載其本質，徑直與曖昧，獨存而共生。

The designer tries to weaken the "wall" as the function of dividing space, bearing its essence in an open and flowing manner, which is straight and ambiguous, unique and symbiotic.

▲ 軸測圖

我們觀察到涂料的物質形態(tài)，有著不受約束的自然張力，因此我們在空間中置入5組流動的曲線，展廳裝修設計作為隔離與聯(lián)系的媒介，并在陳設結構形式上繼續(xù)延續(xù)這一記憶。

We observed that the material form of the paint has an unrestrained natural tension, so we placed 5 groups of flowing curves in the space as a medium for isolation and connection, and continued this memory in the form of furnishings.

我們關注消費體驗的整體感知，從發(fā)現(xiàn)、行走、探索、停駐，一切的行為發(fā)生希望能透過空間來述說品牌。

We focus on the overall perception of consumer experience. From the behaviors of discovery, walking, exploration, stopping and so on, which all happen in the space, we hope to tell the brand through the space.